For over a decade, conceptual and performance art has been dominated by participatory art. Its champions, such as French curator Nicolas Bourriaud (who invented the term "relational aesthetics" to describe it) and American art historian Grant Kester, believe that by encouraging an audience to join in, the artist can promote new emancipatory social relations. Artificial Hells i...(展开全部)

For over a decade, conceptual and performance art has been dominated by participatory art. Its champions, such as French curator Nicolas Bourriaud (who invented the term "relational aesthetics" to describe it) and American art historian Grant Kester, believe that by encouraging an audience to join in, the artist can promote new emancipatory social relations. Artificial Hells i...(展开全部)

Scott Curtis draws our eye to the role of scientific, medical, educational, and aesthetic observation in shaping modern spectatorship. Focusing on the nontheatrical use of motion picture technology in Germany between the 1890s and World War I, he follows researchers, teachers, and intellectuals as they negotiated the fascinating, at times fraught relationship between technology...(展开全部)

An urgent book that reveals how the extractive systems of artificial intelligence are remaking our world—with profound political consequences What happens when artificial intelligence saturates political life and depletes the planet? How is AI shaping our understanding of ourselves and our societies? Drawing on more than a decade of original research, award-winning science and ...(展开全部)

An urgent book that reveals how the extractive systems of artificial intelligence are remaking our world—with profound political consequences What happens when artificial intelligence saturates political life and depletes the planet? How is AI shaping our understanding of ourselves and our societies? Drawing on more than a decade of original research, award-winning science and ...(展开全部)

While ecology has received little systematic attention within art history, its visibility and significance has grown in relation to the threats of climate change and environmental destruction. By engaging artists’ widespread aesthetic and political engagement with environmental conditions and processes around the globe—and looking at cutting-edge theoretical, political, and cul...(展开全部)

迈克尔·欧克肖特(Michael Oakeshott，1901—1990)，英国哲学家，政治思想家，20世纪最重要的保守主义知识分子。其思想融英国观念论与休谟的怀疑论于一炉，对伯克等人所建立的英国传统保守主义思想从哲学上做了系统阐述，他对于知识论、政治哲学、历史哲学、宗教哲学和教育哲学都有着深湛的研究和阐发。在英美学术界享有极高声誉，被誉为“20世纪少有的杰出政治哲学家”、“这个世纪最有原创性的学院政治哲学家”、“从密尔或甚至伯克以来盎格鲁-撒克逊传统最伟大的政治哲学家”。 本文集收入了欧克肖特大部分作品，其中包括在他生前发表的著作——《政治中的理性主义》(节选本)(1962)、“论人类行为》(1975)、《论历史及其他论文》(1983)和《人文知识的声音：迈克尔·欧克肖特论教育》(1989)，也包括在他去世后，由别人给他整理出版的著作《宗教、政治与...(展开全部)

迈克尔·欧克肖特(Michael Oakeshott，1901—1990)，英国哲学家，政治思想家，20世纪最重要的保守主义知识分子。其思想融英国观念论与休谟的怀疑论于一炉，对伯克等人所建立的英国传统保守主义思想从哲学上做了系统阐述，他对于知识论、政治哲学、历史哲学、宗教哲学和教育哲学都有着深湛的研究和阐发。在英美学术界享有极高声誉，被誉为“20世纪少有的杰出政治哲学家”、“这个世纪最有原创性的学院政治哲学家”、“从密尔或甚至伯克以来盎格鲁-撒克逊传统最伟大的政治哲学家”。 本文集收入了欧克肖特大部分作品，其中包括在他生前发表的著作——《政治中的理性主义》(节选本)(1962)、“论人类行为》(1975)、《论历史及其他论文》(1983)和《人文知识的声音：迈克尔·欧克肖特论教育》(1989)，也包括在他去世后，由别人给他整理出版的著作《宗教、政治与...(展开全部)

In The Migrant Image T. J. Demos examines the ways contemporary artists have reinvented documentary practices in their representations of mobile lives: refugees, migrants, the stateless, and the politically dispossessed. He presents a sophisticated analysis of how artists from the United States, Europe, North Africa, and the Middle East depict the often ignored effects of globa...(展开全部)

In The Migrant Image T. J. Demos examines the ways contemporary artists have reinvented documentary practices in their representations of mobile lives: refugees, migrants, the stateless, and the politically dispossessed. He presents a sophisticated analysis of how artists from the United States, Europe, North Africa, and the Middle East depict the often ignored effects of globa...(展开全部)